Episode 72 | Suicidal Tendencies, Lights, Camera, Revolution (1990) | Duration: ~84 minutes | Release: 8 December 2025
Neil and Chris dive into one of Neil's all-time decorating records, a 1990 album that transformed LA's banned skate punk outcasts into Grammy nominees. Suicidal Tendencies' fourth studio album represents a pivotal moment where hardcore punk evolved into something more accessible without losing its bite. The hosts explore how Mike Muir's uncompromising vision shaped a band that would later make him feel they'd sold out, despite creating what many consider their finest work.
This episode traces the journey from Venice Beach gang culture to arena tours with Metallica, examining how producer Mark Dodson (Judas Priest, Anthrax, Prong) brought a thicker, more polished production to ST's sound while maintaining their confrontational edge. The discussion covers Rob Trujillo's first full album with the band, Rocky George's phenomenal lead work, and why Mike Muir ultimately felt mainstream success betrayed everything the band stood for.
Lights, Camera, Revolution captures a band at the exact moment when underground credibility collides with commercial potential. It's the blueprint for countless crossover thrash records that followed, featuring lyrics that remain remarkably relevant, production that still sounds authentic, and performances that define an era. The album's themes of speaking truth to power, maintaining identity under pressure, and refusing to conform resonate just as strongly today as they did in 1990.
Fans of Prong, Anthrax, and Faith No More who appreciate thrash with melodic sophistication. Anyone curious about the pre-Metallica career of Rob Trujillo. Listeners who want to understand how LA's most banned band became Grammy nominees. Decorators who need the perfect painting soundtrack.